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DISCUSSION FORUMS
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BUYER'S GUIDE

Concertina Buyer's Guide: reviews, links, comments, photos, and more
Buyer's Guide section on English Concertinas
Concertina Weights
Concertina Cases: New is Often Better, by Randy Merris
Time for an English?, by Roger Digby
Choosing a Chromatic Row Layout On Anglo, by Ken Coles
If It's Not A C/G, What Is It? [Keys], by Ken Coles
Wheatstone Anglos, numbers 50,000+, by Bob Gaskins
Dating Your Concertina - A Summary Guide, by Wes Williams
Dating Lachenal Anglo Concertinas: A More Accurate Method, by William Meredith
A Thumbnail Classification of Concertinas, by Dan Richardson
Another Opinion On Accordion-Reeded Concertinas, by Ken Coles
Of Reeds, Shoes, and Acoustics, by Dana Johnson
Concertina vs. Accordion Reeds, by Dana Johnson
A "German Standard Concertina", by John Dallas
Inside a Crabb, by Mark Stayton
Concertina Guild, by Frank Edgley
Some Commentary by Wes Williams

Hayden Duet Resource List, by Ken Coles
Psst, buddy -- wanna buy a concertina? Concertinas and internet auctions and sales.
A Photo Gallery
Mr. Coles goes to The Button Box: A shocking pictorial
A Tale of Two Jeffries: How Paul went from one Lachenal to two Jeffries in under a month
C&R Dipper "Cotswold" anglo concertina review
Anatomy of an anglo concertina
Info and photos of a 49-key Jeffries
Mystery Lachenal
Mystery Wheatstone

MUSIC
Music Home Page: reviews, links, sound clips, and more
"The Incredible Concertina" concert photos and report
• Scan Tester's "I never played to many posh dances"; review by Roger Digby
Gearóid O hAllmhuráin Concert (1996): the page that launched this site
Gift Shop: a portion of every sale goes to help support this web site -- thanks for your support!
LEARNING TO PLAY
Learning to Play Home Page
Advice for Newcomers to Intensive Music School, by Ken Coles
Chord Relationships of the English Concertina, by William Meredith
Color-Coded Button Layouts for C/G and G/D 30-Button Anglo Concertinas using the Wheatstone / Lachenal System, by Mark Stayton
The Anglo Concertina: A Handbook of Tunes and Methods for Irish Traditional Music
"The Concertina And How To Play It", book review by David Wallace
Scandinavian Squeeze-in 2000 report, by Samantha Boorer
A report on the "Annual Gathering of the West Country Concertina Players" (Kilve Court, Somerset UK), by Alan Corkett
Some Observations on Witney, by Jon McNamara
Noel Hill Irish Concertina School 1998 Report
Workshop by Bob Tedrow at Chicago, June 2000, by Ken Coles
Experiences with a minidisc recorder, by Ken Coles
Health Issues
   • Orthopedic Problems and the Concertina: Some Thoughts and One Player's Experience
   • An Ergonomic Handle For English, Anglo And Duet Concertinas
   • A New Design of Handle for The Concertina, by Michael Bell
AROUND THE WORLD

Links
Sponsors

Pirates and Concertinas by Rhomylly B. Forbes
Concertina Bands
Concertina Museum
Concertina with PA layout by Jeannie Grassi
The Concertina in Children's Literature by Pam Berardino
English Country Music, by Roger Digby
H. Crabb and Son, concertina makers, by Roger Digby
How I Acquired my Crabb, by Roger Digby
Anglo Concertinas in South Africa
A New Duet System from Jim Lucas
A concertina story by Lloyd McDaniel.
Photos by Peter Laban.
More photos by Peter Laban.
Death of the busker: saddest song in town by Raymond Travers.
Confessions of a concertina player in Baghdad by Len Rheaume.

REPAIR & MAINTENANCE
Repair Home Page
Bellows Patching, by Bob DeVellis
Correction of wrist position on Anglo concertina using foam pads, by Ken Coles
Repairing wood handles whose holes are too worn to hold a wood screw., by Ken Coles
LAST, BUT NOT LEAST
The Official CONCERTINA.net Newsletter
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About Your Host

Paul playing the concertina!
Photo © Peter Laban

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NEWS & UPDATES
FORUMS FORUMS FORUMS
If you're new to Concertina.net, please note that all the action and up-to-date news, information, announcements, and classified advertising is now taking place in the discussion forums, so be sure to read, register and participate to get the most from our favourite instrument and music!

December 8, 2008:
The North America list of concertina schools (most are in the summer) has been updated for 2009, with a few dates to be added as we hear of them in coming weeks. We continue to have many opportunities and a variety of styles and systems represented. Once again, squeeze away, and see you there! —Ken

November 8, 2008:
Rhomylly Forbes sent in a reprint of her article entitled Yo, Ho, Ho and – What’s That Squeezy Thing? from Pirates Magazine.

Oct. 22, 2008:
Thanks to English International for signing on as advertisers: Their support is appreciated, and I hope everyone orders a copy of this important work!
English International

Oct. 2, 2008:
A note from Tony Kell:
"...thought some of your readers may be interested to know that a new CD from Alistair Anderson is now available. It's on his own White Meadow Records label ( same as 'On Cheviot Hills') and is titled "Islands". It's not widely publicised or distributed, but is available online from codamusic in Edinburgh and roots2music. Both have websites, the codamusic site having the advantage of being able to listen to music clips for all tracks. Most of the tracks are Alistair's own compositions, including his recently composed Farne Islands suite, premiered at The Sage Gatshead last year. The second track is a most beautiful tune - Waltz Montmagny."

Sept. 25, 2008:
An update from Rachel Hall:
The Squeeze-ellujah chorus was a smash hit! We had about 25 instrumentalists and 10 singers. A recording is online at http://www.sju.edu/~rhall/concertina/Hallelujah/

Sept. 8, 2008:
Rachel Hall wrote in with the following Squeeze-In news:
We're planning to perform the Squeeze-elujah Chorus (the Hallelujah Chorus with concertinas!) at the Squeeze In this year. If you'd like an advance look at them I put them on the web:
http://www.sju.edu/~rhall/concertina/Hallelujah/
I've also got concertina parts for the Stars and Stripes Forever on my web site -- I'll offer that on Sunday morning for all instruments.  Whether you're going to the Squeeze In or not, you're welcome to download the parts.  Have fun!  (BTW, does anyone have a piccolo concertina?  I'd love to have one for Stars & Stripes).

July16, 2008:
News from Pauline de Snoo (ICA newsletter editor):
"Concertina World 440" , publication from the International Concertina Association has just been released and contains a.o. interview with Patrick Vandorpe, Alyn Roberts and Dave Ball,  reports on Swaledale and Kilve, interesting websites on internet, the chat column, part 3 of "How to learn to play by ear", cd, book and concertina reviews etc. And again lots of music in the music supplement. For subscriptions mail: treasurer@concertina.org. Now also Paypal payments possible. Go to http://www.concertina.org."

May 21, 2008:
News from Allan Atlas.

May 8, 2008:
News from Frank Dalton about a Micheal O Raghallaigh & Ivan Goff concert in the Philly area, June 7. Click here for more information.

April 7, 2008:
News from Dan Worrall:
"A new article on the history of our favorite instrument on ships in the days of sail (Concertinas at Sea: A History of a Nautical Icon) is available for free download at http://www.angloconcertina.org. The article presents scores of first hand accounts of concertinas in use by sailors on various types of vessels in the late 19th and early 20th century, as well as numerous photographs of those musical sailors and the ships on which they sailed. Also now available (for free), is the bulk of the 2005 book, The Anglo Concertina Music of William Kimber."

April 2, 2008:
News from Pauline (newsletter editor) from the ICA:
"Newsletter 439 from the International Concertina Association has just been released and contains a.o. interview with Martyn Allen, the Youtube teacher and Dave Elliott, author of the maintenance manual, a Technical Ramble, interesting websites on internet, the chat column, advice how to learn to play by ear, cd and book reviews etc. And again lots of music in the music supplement. For subscriptions mail: treasurer@concertina.org. Now also Paypal payments possible. Go to http://www.concertina.org."

February 16, 2008:
Mike Mullins wrote in with some news: "Please help me get the word out that Micheal O Raghallaigh will be in St.Louis performing and doing a workshop during the weekend of the St.Louis TIONOL [April 4-5-6]. All the details are at www.tionol.org. Any questions, people are welcome to contact me directly."

February 2, 2008:
The North America list of concertina schools (most are in the summer) has been updated for 2008. As in recent years there is a great choice out there, and the variety of styles and systems continues to grow. Squeeze away, and see you there! —Ken

January 5, 2008:
A note from builder Andrew Norman: "Just to let you know, that I am no longer in Nutley, I am now in Shropshire. For the momment the best way to contact me is via e-mail, as I am temporarily renting, until I can start on a new workshop. I have a house and workshop to rebuild, but as there has never been electricity, drains, nor even water to the house, it will take a few months to get organised on site! I am still making concertinas, including (during 2007) a 20 key miniature English, A 20 key double reeded anglo, a 40 key anglo (sent to Nashville) various 30,31,32,and 36 key anglos, and next on the list a 45 key Baritone English. I am also still restoring concertinas. I would be most grateful if you could make a brief mention of this on concertina.net., and please thank all my previous customers. Wishing you a Happy New Year. Andrew Norman. (west of Shrewsbury, Shropshire)"

December 20, 2007: News from Pauline from the ICA:
"Newsletter 438 from the International Concertina Association has just been released and contains a.o. interview with Mark Evans, Ramble 4, interesting websites on internet, the chat column, Witney report, cd and book reviews etc. And lots of music in the music supplement. For subscriptions mail: treasurer@concertina.org. Next time a..o. an interview with Martyn Allen, the "Youtube" teacher. "

November 20, 2007: Frank Edgley has a new instructional DVD for the anglo concertina that looks like it should be real winner!

November 20, 2007: More news from Bob Gaskins:
The Concertina Library has added two new articles, one on the early history of the Anglo concertina in Ireland, the other on performance issues of Victorian music on English concertinas. link to Dan Worrall, Beginnings of Concertina Playing in Ireland One article, Notes on the Beginnings of Concertina Playing in Ireland, 1834-1930, by Dan Worrall, is published for the first time. Worrall writes: “Although the Irish are known for their long folk memory, the story of how of concertina playing began there has been largely lost; it is often tagged to a threadbare tale of mariners bringing them up the Shannon estuary to Clare. This paper reconstructs its history by using period accounts from newspapers, books and family histories to document the social gatherings where it was played, and the vendors who sold it. The Anglo-German concertina was enormously popular all across Ireland during its heyday, amongst people of all social and economic groups. Its later concentration in Clare was not a result of how it arrived, but of local cultural and economic factors that aided its barest survival there while it was completely dropped—and all but forgotten—elsewhere in the country.” link to Allan Atlas, Victorian Concertina: Issues Relating to
Performance The other article, The Victorian Concertina: Some Issues Relating to Performance, by Allan W. Atlas, was originally published in Nineteenth-Century Music Review vol. 3/2 (2006). Atlas writes: “Present-day players of the English concertina must make a number of important decisions … Briefly, there are three basic decisions to be made. The first two concern the choice of instrument: (1) modern instrument or period (Victorian) instrument; and (2) if the latter, what kind of instrument in terms of reeds (type of metal), tuning, structure of the bellows and number of buttons. The third decision, on the other hand, has to do with a fundamental question of playing technique: should we use three or four fingers of each hand?”

Sept. 18, 2007:
A big thank-you to Jeff Thomas of Thomas Concertinas for becoming the latest sponsor/advertiser here on Concertina.net! There's always room for another high quality concertina in this world of ours, and so I'm very happy to see that Jeff appears to be dedicated to making very fine instruments in the vintage tradition and yet with an eye towards innovation. Welcome Jeff!

July 13, 2007:
News from Pauline de Snoo: "Newsletter 437 from the International Concertina Association has just been released and contains a.o. an interview with interviews of Jenny Cox, Steve Ellis, reports on Elsecar 2007 and Swaledael 2007, Ramble 3, interesting websites on internet, cd review etc. And lots of music in the Willy Taylor music supplement. For subscriptions mail: treasurer@concertina.org. More interviews, reviews etc in next issue. Amongst others interviews Alistair Anderson and Mark Evans.

May 21:
News from Allan Atlas: Please note that volume 3 of PICA (2006) is now available online. For those who did not see the hardcopy version (and it can be yours each year with a membership in the ICA), the contents include articles on the concertina in Clare (Gearóid O'hAllmhuráin), Giulio Regondi at Oxford (Susan Wollenberg), and Salvation Army bands (Les Branchett). In addition, there is a review of Anglo International by Roger Digby and another of Dan Worral's book by Jody Kruskal. And on top of all that: the customary "Historical Document" and "Picture Gallery," the whole done up with all the TLC in the world. Note that the hardcopy version of volume 4 should be ready in October (with articles on Dutch Daly, the feature articles being: Randy Merris, "Dutch Daly: Comedy and Concertinas on the Variety Stage"; Dan Worral, "David Edward Hughes: Concertinist and Inventor"; and Stephen Chambers, "Joseph Astley, Oldham concertina Band, and the MHJ Shield."

May 5, 2007:
News from Pauline de Snoo: "Newsletter 436 from the International Concertina Association has just been released and contains a.o. an interview with Allan Atlas, suggestions for playing anglo concertina, coming events around the world and review of Hawkwood Band weekend, lots of other info on cd's, playing and players. And 23 pages of music. More interviews with Jenny Cox, Steve Ellis, internet info, playing tips and events in next issue. For subscriptions mail: treasurer@concertina.org "

April 15, 2007:
A note from Bob Gaskins:
     Dan Worrall has written a new survey article, A Brief History of the Anglo Concertina in the United States, which is published on the web at the Concertina Library. link to Dan Worrall, Anglo Concertina in the US In the United States the Anglo-German concertina was very popular during the middle and late 19th century, but by the early twentieth century it had all but vanished from American popular culture. After the revival dating from the 1960s the Anglo has once again had some popularity but without connection to any tradition of its earlier widespread use in America. This paper uses 19th-century tutors, newspaper mentions, family histories, and many archival photographs (some previously unpublished) to reconstruct missing history. Topics include the early use of German concertinas in the Eastern U.S., the use of Anglo concertinas by Mormon and other western pioneers, use during the War Between the States, use by African-Americans, use in nautical contexts, use by immigrant and other ethnic groups, and use by the Salvation Army. The Concertina Library has also added complete scans of four Anglo tutors which Worrall identifies as key: Instructions for the Salvation Army Concertina by Herbert H. Booth (1888), Howe's Eclectic School for the Concertina by Elias Howe, Jr.(1879), Howe's Western German Concertina School by Elias Howe, Jr.(1879), and Sedgwick's Improved and Complete Instructions for the German Concertina by Alfred B. Sedgwick (1893).

April 13, 2007:
News from Nancy Wells:
"I've got some more information about Brian Peters's workshop and concerts in Michigan at the end of April. Brian is doing a Friday night concert in East Lansing at the Ten Pound Fiddle on the 27th. The next day, still in Lansing, he's doing a five-hour intermediate workshop on playing Anglo concertina in English style (lots of chording in the left hand, in contrast to Irish and some other styles) as one of Elderly Instruments' Special Events Series , 11:00 a.m. to 4:00 p.m. That evening (still Saturday, April 28th) he will be going to Grand Rapids to play a concert for the Grand River Folk Arts Society. [...] I just think that especially the workshop is going to be a really rare oppotunity for people within a couple of hundred miles even of Lansing. "

April 9, 2007:
See the notice from Rachel Hall about a concertina workshop she's leading next month, she also reports that "I'm going to be performing at Old Songs this year. Last time I was there we had a concertina workshop -- there were about ten concertina players among the performers.  This year's concertina players include me, Rika Rubesaat, Danny Spooner, Michael Cooney, and Ian Robb.  More info at http://www.oldsongs.org/festival/index.html.  I don't know yet if they're planning a concertina workshop but will post the info if so. "

April 4, 2007:
News from Doug Barr:
"Irish Traditional Music Concerts at Glucksman Ireland House at New York University; 1 Washington Mews – entrance on Fifth Avenue just north of Washington Square For more information, call Ireland House at at (212) 998-3950 www.nyu.edu/pages/irelandhouse ALL SHOWS 9:00 P.M. - $15 ADMISSION free to Ireland House members and NYU students with ID. Friday, April 20th: Gearóid Ó hAllmhuráin and Tim Collins. The concertina is closely associated with the musical tradition of County Clare, where Gearóid Ó hAllmhuráin, a professor of music and Irish studies at the University of Missouri-St. Louis, was born and raised. Tim Collins, a native of West Limerick who crossed the Shannon years ago to play with Clare’s famed Kilfenora Ceili Band is at NYU this semester as a Fulbright Culture Ireland visiting scholar. This is a rare chance to hear two acclaimed masters of the concertina in a duet performance."

March 23, 2007:
A note from Bob Gaskins:
     The Concertina Library has added a major new article by noted music scholar and historian Allan Atlas dealing with all of the women who can be identified in the Wheatstone factory sales ledgers. link to Allan Atlas, Ladies in the Wheatstone
Ledgers The article, Ladies in the Wheatstone Ledgers: the Gendered Concertina in Victorian England, 1835–1870, was originally published in the Royal Musical Association Research Chronicle, vol. 39 (2006), where it occupied all 239 pages of the entire volume. Atlas writes: “… the English concertina played a unique role in Victorian England’s upper- and middle-class amateur music circles … the concertina was the one ‘domestic’ instrument on which husband and wife, father and daughter, and brother and sister could meet on musical common ground … with women and men on perfectly equal footing ….” In a companion note Pat Shipman provides a thumbnail history of Ms Mary ‘Min’ Baker (pictured), one of the women discussed in the article, and apparently the only one for whom we have a photograph showing her playing a concertina. She turns out to come from a family with a colorful role in the exploration of central Africa. This note was originally published in PICA [Papers of the International Concertina Association], Vol. 3 (2006).

January 29, 2007:
John Nixon wrote in to share news of his next gig on Baritone and MIDI-treble concertina:
As I had some folk in Concertina.net interested in my Jazz Gig last December, can you please give the info for my return gig as follows: Jazz at The Horseshoe in the very small village of Lawton Heath End on Thursday March 1st. This is about 6-miles South-West of Congleton in Cheshire, U.K. Admission is Free and the show starts at 9pm and finishes between 11 and 11.30. Anyone wishing a detailed map of the area can send me their "E" and I will post it.
You can write John through the forum system.

Sept. 23, 2006
More news from Noel Hill, this time of a concert in Philadelphia, on November 30th. Frank Dalton also notes "a rare upcoming concert by concertina player Claire Keville (also in PA, as is Noel's concert, but at a different venue). The details are here. "

May 15, 2006
Alex Jones kindly sent in this article about packing a concertina for shipping.

April 4, 2006:
Connie Dugan wrote in with news of John Williams' latest CD release:
"There are some fine concertina tunes. Much of the album is new compositions. Some are very new, to my ear, and proove that Irish music is still alive and developing. Some others, while new, sound like they emerged from the rocks. Especially John's reels written for his babies (first track, I think.) I can't imagine them played on anything but the concertina." More info on the John Willams site, and an interview.

April 3, 2006
Dana Johnson has just written us that he now has a web site for his Kensington Concertinas which gives details of construction, ordering, and how Dana arrived at the design he uses. Lots of nice pictures, too.

March 31, 2006
A note from Shay Fogarty: "Lisa Shields has once again kindly used her website to include my report and pics of the Mrs Crotty weekend 2005."

February 3, 2006:
The Fifth Annual edition of the North America Summer Schools list is now posted. Most schools do not have class schedules or teacher names listed yet; we'll add information as we hear it. If you have details on these or other schools/events, drop me an email through the forums system. —Ken


Stolen Concertinas

  • From Paul Jutkiewicz (Southampton, UK): I had my concertina stolen in Dublin (15 February 2008) along with a set of Northumbrian pipes. The concertina was a Dipper Anglo, 32 metal buttons and metal ends plus one or two modifications to the accidentals.
  • Stolen on Thursday 11th march, from a van outside the Whitmore Arms public house, Orsett, Essex, UK. Wheatstone Tenor Treble with raised ebony ends, serial no. 29103. If you have any information please contact Roy Nicholls on +44 (0)1621 859446.
  • Nov. 6, 2003: Michael Rooney from Monaghan, living in Dublin, has had his Suttner stolen in Galway. The serial number is 131, which is on the side of the concertina. It has metal ends, 30 keys and ebony trim. If anyone hears of a concertina of this description being sold, call Aonghus Rooney on 087-6409105 or call Michael on 086-1755329.
  • Please look out for two concertinas stolen from the Music Room, Oxford, UK, branch 23 July 2003. These instruments are brand new, one English treble and one English baritone model, made by Morse of the USA. The serial numbers are 137 and 138. The Music Room is sole British agent for these instruments, so please inform us at +44 (0)1274 879768, or at info@the-music-room.com if you see one of these instruments for sale anywhere else. We will then pass on your information to the police, who have of course been alerted. We know that the concertina fraternity is a close-knit group, and we would be grateful if you could pass the word to all players to keep an eye out for these instruments.
  • From Simon Thoumire: "My 56 key Wheatstone tenor treble Aeola (metal ends) was stolen on Sunday 21st January from the Glasgow Royal Concert Hall. The serial no. has fallen off the left side but it is recognisable from the big thumbstraps that are hanging loose from the side and also sweat has tarnished the nickel plate on both sides. Another feature which will tell it apart from any other is that the top 'C' on the right side is an air button. It is the only instrument I have ever played and I miss it badly."
  • From Hugh Healy: "My concertina was stolen at the Willie Clancy School this summer (1999). It was a Wheatstone Anglo, Metal end, No 29481, 30 key, 5 fold bellows in C and G pitch. My address was marked in several places on it."
           -- Contact david.evans@pc.aerotech.ie if you have any information.
  • Don Nichols' stolen concertinas registry
 
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Copyright © 1996-2006 Paul Schwartz. All rights reserved. Be nice and don't copy any stuff from here without asking, okay? And if you do, the least you could do is give me a link and credit. Or cash. Or a nice Jeffries or Wheatstone or something. You cheapskate.